(CC) Benjamin Dueholm–Pulp inequality: How popular culture exhibits the class divide

It is not only intimate life and family dramas that are twisting in the chasm between the elite and the rest of us. CBS recently aired an instantly notorious reality show called The Briefcase, in which a struggling family is given a briefcase full of money and told they can either keep it all or give some to another, similarly struggling family. The twist is that the second family has been given an identical briefcase and told the same thing. The scenario recalls the classic “prisoner’s dilemma” of game theory””though in this case the tension comes not from rational decision making but from the anguish of the participants. The show’s producers step into the Christian Grey role, an entity with effectively limitless resources that finds a random family on which to lavish its attentions at an emotional cost it determines for them in advance.

Even philanthropy cannot seem to escape the sadistic thrill of playing Christian Grey””of dangling something people need on the far side of some ludicrous obstacle. Last year the Dr. Pepper Tuition Giveaway invited university students to make videos explaining why their tuition should be paid for. The top entrants were invited to compete in a contest at a college football halftime show. If they managed to throw enough footballs into an oversized Dr. Pepper can, they won up to $100,000 in tuition support. If not, at least they had an all-expenses-paid trip to the conference championship game. It’s astonishing that this was called a giveaway, as if hustling up a viral video, earning the most votes, and then performing a circus trick in a stadium were not a rather taxing sort of labor.

There is a lurid odor about these entertainments. The sight of real people wriggling and dancing and chucking footballs to win a cruise makes a very slight claim on our sense of fairness and decency. The sight of them doing it for tuition or medical bills shreds it beyond any recognition.

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